Written by Joshua Adams
Cosmic energies, magnetic fields, and the energetic circuitry of the manifest mono reality are based upon the sacred geometry. Proportions, universal patterns and the mathematics found within the very design of experiential reality. The musical notes divided by octaves follows the golden ratio which is a primary mathematical feature of the divine sacred geometry. Often individuals are first introduced to the golden ratio of sacred geometry with the Fibonacci Sequence. This formation based on the sacred mathematics has been of interest to human kind since the days of Pythagorus, and most likely even earlier. It was during the time of Pythagorus that the shape of the pentagram was brought into appreciation by the learned people of that era; where the geometry of shapes were not only recognized but prized as occult knowledge shared among the intellectuals and eventually with the master builders. These architects and builders placed the sacred shapes within the structures they built, in everything from temples to statues. One of the most widely recognized structures of the ancient world contains the mathematics of the old world learned, in that of the pyramids.
The term Pyramid breaks down to Pyra, meaning fire or flame, and Mid, meaning middle or central. This correlates to the middle pillar of the three pillar cosmogony of the perpetual genesis. The angelic beings refer to these as the pillars hyacinth, or ‘superstructure prized like precious gemstones’ which refers to the divine emanations from which reality is derived and in itself perceived by the One Source. The flame or the ‘fire’ indicates the energies of which the universe embodies. Occurring within the middle pillar of Genesis, the pillar of man. Even the term ‘universe’ contains its own reference to the divine cosmic emanations, Uni, meaning ‘one’, and Verse, meaning, essentially ‘song’ i.e. ‘One Song.’
So it is here, within the middle pillar which contains the manifest avatars of man, the mind, body, spirit complexes within the Mold of Man unique to this pillar where even sound, it’s resonances and consonance of frequency and vibratory patterns are expressed properly according to the sacred geometry. Even the untrained ear can distinguish notes that are out of harmony or simply ‘off’ when they do not conform to the structure of the mathematics of musical theory understood through the magic science of the sacred geometry. Today there are fully immersive ‘sound baths’ used to heal the human form by resonating a blend of various notes from selected instruments, from gongs, singing bowls, flutes, and chimes.
The relationship to consciousness and the incarnations we exist as human beings in relation to the divine patterns of Creation’s design is an area of study which one could devote a lifetime to. Experiments in which sound at various frequencies and resonances is directed at water containing specific particulates produces extraordinary geometric shapes and designs. The spoken word within the occult ritual takes on a new dimension when it is understood firstly that pressure waves into sounds which the human voice is manifestation of is capable of expressing the divine language which the angels themselves conveyed to Dr. John Dee and his scryer Edward Kelley. The language itself has been called ‘Enochian’ but not by the angelic entities summoned by the pair of Elizabethan occultists. The ‘Zidoe’ meaning ‘God’s Language’ is likened to mathematics as it is universally spoken by both the angels and demons alike.
This language itself is unique in that it is structured on an energetic matic syntax, and this syntax follows the patterns and is in accordance with the divine sacred geometry.
The angelic language as it is more commonly referenced contains and in itself expresses the relationship between energy and the geometric forms of our cosmos.
Through the guidance of the Holy Guardians and the practice of divination it has been ascertained that structures such as pyramids, flowers, and fractals, musical tones and notes, and the spoken language of the One Source Godhead not only allows for the flow of divine force of living energies but actually enhances them. This enhancement can and should be understood for its presence within the shapes, patterns, and structures within which ritual and rites are performed. Even more so the structure and patterns expressed within the rituals of active magic during these rituals and rites.
The incarnate force of the living soul within one’s being is fundamentally aware of the grand design, the mind recognizes the patterns of their expression and the body resonates with them as it too is a manifestation of energy. The implementation of the Celestial language, or ‘Enochian’ along with the use of numerical and geometric designs such as sigils, within structured ritual and rites overlap to foment the enhanced flow of sacred energies which the geometry represent in their phenomenal physical manifestation in our reality.
Only now, some four hundred and twenty five plus years after the summonings performed by Dr. John Dee and Edward Kelley is the profound value of the angelic language being realized. Occurring in parallel with the quickly evolving understanding in the astrological, astronomical, and mathematical significance to the foundational design of our world and the greater universe. From Pythagorus to the FreeMasons of today, the sacred geometry of reality has been revered and studied, it is behoven that the modern occultist incorporate this knowledge within their practice in order to create a greater equilibrium between their mind, body, spirit complex avatar incarnate form and that of the perpetual Genesis Creation in which we find ourselves. This to allow for a more potent flow of energy and forces around and through themselves ultimately bolstering and enhancing their directed Will To Desire within their crafts of the witch.
